Kai Marius Schabram Allegris Geist aus Mozarts Händen. Franz Liszts Miserere-Rezeption am Beispiel von À la Chapelle Sixtine in: Liszt-Jahrbuch, Bd. 1, 2016, S. 110–128
Paul Merrick The Devil and Liszt's Sonata in B minor. Why the Sonata is not a Faust Work in: Liszt Society Journal, Bd. 40, 2015, S. 3–15
Paul Merrick "Christ’s mighty shrine above His martyr’s tomb". Byron and Liszt's Journey to Rome in: Studia Musicologica, Bd. 55, 2014, S. 17–26
Egon Voss "Approprier à ma façon". Liszts Bearbeitungen Wagner’scher Opernmusik in: wagnerspectrum, Bd. 7, 2011, S. 41–58
Paul Merrick Two Keys for Six Pieces. Tonality and Liszt's "Consolations" in: JALS, Bd. 54–56, 2005, S. 125–133
Paul Merrick Liszt's sans ton Key Signature in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 45, 2004, S. 281-302
Paul Merrick "nach Ges dur". Liszt's Marking in His Copy of Handel's Opera "Almira" in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 42, 2001, S. 349–372
Paul Merrick The Role of Tonality in the Swiss Book of Années de Pèrerinage in: Studia Musicologica Academiae Scientiarum Hungaricae, Bd. 39, 1998, S. 367–383