Anna G. Piotrowska Liszt and the issue of so called Gypsy music in: Interdisciplinary Studies in Musicology, Bd. 13, 2013, S. 127–140
Anna G. Piotrowska ’Gypsy music’ as music of the Other in European culture in: Patterns of Prejudice, Bd. 47, 2013, S. 395–408
Anna G. Piotrowska Expressing the Inexpressible: The Issue of Improvisation and the European Fascination with Gypsy Music in the 19th Century in: International Review of the Aesthetics and Sociology of Music, Bd. 43, 2012, S. 325–341
Fuyi Gong, Luyu Zhou 李斯特艺术歌曲《当我入梦》的和声技法分析 (Lisite yishu gequ Dang wo ru meng de hesheng jifa fenxi) in: 齐鲁艺苑(山东艺术学院学报 (Qilu yiyuan. Shandong Yishu Xueyuan xuebao), Bd. 1, 2007, S. 69-73
Pauline Pocknell Franz Liszt à Bourges in: Franz Liszt, un saltimbanque en province, herausgegeben von Malou Haine, Nicolas Dufetel, Lyon 2007, S. 123-147
Pauline Pocknell Reading Liszt's Hands. Molds, Casts and Replicas as Guides to Contemporary Creative Representations in: JALS, Bd. 54–56, 2005, S. 171–190
Pauline Pocknell Liszt and Pius IX: The Politico-religious Connection in: Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation, herausgegeben von Michael Saffle, Rossana Dalmonte, Hillsdale, New York 2003, S. 61-104
Pauline Pocknell Le Liszt des phrénologues ou Liszt, Castle, la comtesse et la princesse in: Ostinato rigore. Revue internationale d'études musicales, Bd. 18, 2002, S. 169-183