Egon Voss "Approprier à ma façon". Liszts Bearbeitungen Wagner’scher Opernmusik in: wagnerspectrum, Bd. 7, 2011, S. 41–58
Pauline Pocknell Franz Liszt à Bourges in: Franz Liszt, un saltimbanque en province, herausgegeben von Malou Haine, Nicolas Dufetel, Lyon 2007, S. 123-147
Pauline Pocknell Reading Liszt's Hands. Molds, Casts and Replicas as Guides to Contemporary Creative Representations in: JALS, Bd. 54–56, 2005, S. 171–190
Pauline Pocknell Liszt and Pius IX: The Politico-religious Connection in: Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation, herausgegeben von Michael Saffle, Rossana Dalmonte, Hillsdale, New York 2003, S. 61-104
Pauline Pocknell Le Liszt des phrénologues ou Liszt, Castle, la comtesse et la princesse in: Ostinato rigore. Revue internationale d'études musicales, Bd. 18, 2002, S. 169-183
Pauline Pocknell Franz Liszt's Unpublished Pocket-Diary for 1832. A Guide to his Memories in: Liszt 2000. Selected Lectures Given at the International Liszt Conference in Budapest, May 18.-20. 1999, herausgegeben von Klára Hamburger, Budapest 2000, S. 52–77
Pauline Pocknell Franz Liszt to "Monsieur Guhr". A Hitherto Unpublished Note to a Hitherto Unsuspected Correspondent in: JALS, Bd. 48, 2000, S. 1–16
Pauline Pocknell A Temporary Fellowship: Franz Liszt's and Adelaide Kemble's Symbiotic Relations, Socio-Critical Aspects and Aftermath of Their Concerts in London, Liège and the Rhineland in 1841 in: Liszt Society Journal, Bd. 25, 2000, S. 61–90
Pauline Pocknell Liszts Klavierbearbeitung eines Themas aus den Idealen. Zur Geschichte eines Autographs in: Liszt und die Weimarer Klassik, herausgegeben von Detlef Altenburg, Laaber 1997, S. 115-132