Jonathan Kregor Liszt's Faust complexes in: The Oxford handbook of Faust in music, herausgegeben von Lorna Fitzsimmons, New York 2019, S. 145-168
Nicolas Dufetel "Comment continuer et compléter l'œuvre de Charles Auguste et de Goethe, afin d'assurer à Weimar en Allemagne la place qu'occupe Florence en Italie?" La politique culturelle de Liszt et de Carl Alexander à Weimar (1848–1861) in: Les grands centres musicaux dans le monde germanique (XVIIe-XIXe siècle), herausgegeben von Jean-François Candoni, Laure Gauthier, Paris 2014, S. 379–412
Damien Ehrhardt Le salon de Liszt comme symbole du "Nouveau Weimar" (1848–1861) in: Mélodies urbaines. La musique dans les villes d'Europe (XVIe–XIXe siècles), herausgegeben von Laure Gauthier, Mélanie Traversier, Paris 2008, S. 221-240
Rossana Dalmonte Liszt and the Death of the Old Europe: Reflections on "La lugubre gondola" in: Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation, herausgegeben von Michael Saffle, Rossana Dalmonte, Hillsdale, New York 2003, S. 301-322
Paolo Bidoli A New Manuscript Source for Liszt's "La Perla" in: Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation, herausgegeben von Michael Saffle, Rossana Dalmonte, Hillsdale, New York 2003, S. 287-300
Michael Short Liszt's "Cinq Choeurs": Background to an Unpublished Work in: Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation, herausgegeben von Michael Saffle, Rossana Dalmonte, Hillsdale, New York 2003, S. 281-286
Ben Arnold "Visions and Revisions": Looking Into Liszt's "Lieder" in: Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation, herausgegeben von Michael Saffle, Rossana Dalmonte, Hillsdale, New York 2003, S. 253-280
William Drabkin Beethoven, Liszt, and the "Missa solemnis" in: Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation, herausgegeben von Michael Saffle, Rossana Dalmonte, Hillsdale, New York 2003, S. 237-252
Michael Saffle, Rossana Dalmonte (Hg.) Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation Hillsdale, New York 2003
Egidio Pozzi Music and Signification in the Opening Measures of "Die Ideale" in: Analecta Lisztiana III. Liszt and the Birth of Modern Europe Music as a Mirror of Religious, Political, Social, and Aesthetic Transformation, herausgegeben von Michael Saffle, Rossana Dalmonte, Hillsdale, New York 2003, S. 215-236